By Brenna Ehrlich of Mashable.com:

Wondering which bands garnered the most buzz at SXSW this year? Well, stats service Next Big Sound has the answers, and it’s a hearty mix of up-and-comers, music vets and under-the-radar stalwarts.

Next Big Sound created two lists of buzzed-about bands by counting increase in social media activity during the period that encompassed SXSW, the first being a list of the fastest growing bands at SXSW and the second being the bands that gained the most fans overall during the fest.

At the top of the first list are a trio of lesser-known acts — for you music snobs out there, only one of them has been reviewed on Pitchfork: the band holding court at the number-one spot, Fang Island, which garnered a review of 8.3 from the music site for their self-titled debut album.

The preponderance of smaller bands on this list is due to the fact that it shows biggest percent change in buzz, meaning that a band that went from zero to thousands of fans during SXSW week would rank pretty high on the list.

There are, however, a few more well-known bands on the list, such as GZA of Wu-Tang Clan fame and The Antlers (whom we have just added to our SXSW music video post), who were considered one of the break-out bands of 2009.

Here’s the full top ten list, head over to the Next Big Sound site for a more detailed breakdown of where these fans are coming from:

1). Fang Island
2). Neon Trees
3). XV
4). Oddisee
5). Jonna Lee
6). Matthew Mayfield
7). Evergreen Terrace
8). The Antlers
9). Phantogram
10). GZA

In terms of bands that netted the most fans overall, the mix is rather eclectic. At number one is indie/emo act NeverShoutNever, whose Butch Walker-produced disc What is Love? just dropped in January; followed by The xx, a British indie rock outfit whose debut album showed up on scads of top 10 lists last year (and got the consummate nod from the teen pop culture set when hit single “Crystalised” made it onto Gossip Girl); and Wale, a D.C. rapper who has been recording music since roughly 2006 with a debut album Attention Deficit dropping in 2009.

Also present on the list are experimental/ambient indie band Broken Bells (composed of Danger Mouse and James Mercer of The Shins) and Sum 41 (who were super popular when I was in high school). Here’s the complete list:

1). NeverShoutNever
2). The xx
3). Wale
4). Broken Bells
5). Sum 41
6). Blair
7). The Temper Trap
8). Miike Snow
9). Local Natives
10). We are Scientists

And since it wouldn’t be a music post without some actual jams, here’s a couple of songs from the number-one acts on each list. Did any of your faves makes the cut?

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By Bob Baker of bob-baker.com:

Have you heard of Chat Roulette? It’s the latest web site to create a major buzz in a very short period of time.

In a nutshell, Chat Roulette allows anyone with a webcam to log on and randomly be connected live with other people on the site one by one. If you don’t like who you’re connected to, you click “Next” and get another random paring.

It’s been widely covered (and made fun of) in the media. But I, along with a lot of online marketing people, thought it was a flash-in-the-pan novelty site with no possible self-promotion value. How could you possibly make use of such random connections?

Well, my view of that unraveled once I saw this YouTube video of a piano-playing musician named Merton. He does a wonderful and hilarious job of improvising songs based on the people he’s randomly connected with.

His first video clip, called Chat Roulette Funny Piano Improv #1, was just uploaded on March 11. In six days it racked up one and a half MILLION views. Coverage on Mashable, the Huffington Post, and many other web sites has certainly fueled Merton’s sudden burst of exposure.

Here’s the marketing lesson …

If you can be the first person to do something funny and cool with a new site or gadget that is creating a buzz, you will be rewarded. There’s power in first-mover status.

Also, use what’s given to you and don’t be blinded by tunnel-vision. I looked at the limited qualities of Chat Roulette and didn’t see it as a music promotion tool at all. But Merton opened his mind and asked a better question:

How can I use the random nature of this site (and the buzz it’s creating) in a new and amusing way?

And the roulette aspect of the site lent itself perfectly to the music improvisation format. Brilliant! Of course, Merton also had to be talented and quick on his feet to make this work.

Two questions for you:

  • What new site, gadget or buzz-producing topic could you capitalize on?
  • How could you use the unique qualities of Twitter, Facebook, the new iPad, or any other trending topic in a clever and musical way?

    -Bob

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    Musicians develop their own labels for many different reasons. My reason is partly because of a challenge I took on at a young age, to take what I was told was an unmarketable instrument, the violin, and create music that expressed emotions, touched hearts, and ultimately, sold. Whatever the reason for creating their own labels, musicians sometimes forget the advantages they hold and focus instead on the multitude of challenges.

    As a gentle reminder to artists as well as their potential customers, I’m sharing my personal favorite reasons why I enjoy having my own label, and why music lovers should consciously choose to buy music from independent labels.

    1. Independent musicians can freely express their passion and unique talent. They can express their own personal stories, follow their own instincts, and not have to follow orders from major label executives as to what they must create. From the customer’s perspective, by exploring radio stations and other sources of independent music, they too are now free to make their own decisions as to what is hot and what is not.

    2. Many of the common music distributors only offer music from major labels, and rarely do they give anything for free, no matter how many albums you download or cds you buy. An independent artist is free to be unique and generous in his sales methods. For the consumer, this can mean getting bulk discounts, coupon offers and appreciation for their repeat purchases.

    3. The independent musician can communicate directly with the customer, so online sales doesn’t have to feel like an isolating experience for the artist. Many times the thrill of receiving an email directly from the musician can turn an independent label music purchaser into a devout fan.

    4. Niche marketing is all the buzz these days, and nowhere is it more successful than in independent music. As an independent musician, you are free to create your own unique niche and, in the process, reach more ideal fans. As someone who buys music from an independent label, you can find it easier to discover the music that defines and expresses YOU as well.

    5. By buying from independent labels, customers and musicians can share the love. Think of it this way, here’s one scenario. A music lover makes a purchase. The independent musician has total control over what is communicated in the thank-you message. The customer can write back. The musician can quote the customer in his blog, the customer basks in the glory of the personal mention and shares it with all his friends on his Facebook page. Backlinks abound. Try that when you purchase from a major label.

    6. Everyone feels more authentic. A MySpace page is more authentic than a billboard. A blog is more authentic than a press release. As an independent musician you can replace corporate communications with the real you, and your fans can comment on your webpage and get a direct response from you with their name on it.

    7. At a time when many music retailers are closing their doors, customers can find their favorite independent musician’s music by buying it directly from the artist. Musicians with a well defined niche and loyal, avid fans can remain untouched by the ups and downs of the retail music industry.

    8. An independent musician can develop his own website presence based on his own unique personality and style. Fans can hang out in a place where they can listen to new music clips, socialize, watch video performances, buy music, and share and build upon each other’s excitement. Everything is in one place, and they can discover a new musician or song, leave their comments, bookmark the site, make a purchase, and make new friends, all at the same time.

    9. Musicians get a bigger cut from the sale of their music. This may seem obvious, but if customers could see the portions their favorite musicians receive from major labels, they would make more effort to support independent musicians, and buy from independent labels.

    10.Indie musicians can band together to support each other and further their own causes, in organizations such as Association of Independent Musicians, or Rock the Net, only two examples. Major record labels often limit what their artists can do or not do. Consumers can not only support the music they love, they can affiliate themselves with causes they believe in.

    There are of course other reasons to buy music from independent artists, but this is a great list to get you started thinking in that direction.

    Daniel Kobialka played Principal Second Violin with the San Francisco Symphony for decades, and has his own record label, LiSem Enterprises Inc. He has recorded and produced 16 albums, including three children’s albums and four guest albums with artists such as soprano Silvia McNair, David Grisman, Norton Buffalo, Enrique Coria, Jerry Garcia, and many others. Find out more about Daniel’s independent music at DanielKobialka.com

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    With the recent rise of groups in the UK such as Arctic Monkeys and Arcade Fire, the internet is proving its worth more and more in the music industry. As traditional formats decline in use, the internet is providing independent musicians with a myriad of possibilities for promoting their music. Indeed, unsigned bands can reach their audiences without needing a record label.


    Emerging artists used to spend most of their time down at the post office, licking envelopes, sending off cassettes and making further copies of their cassettes. Looking back, it seemed like the dark ages. Today’s indie music scene sees many bands sat at their computer screens, looking for new ways to promote their music. The emergence of several top bands over the last few months thanks to the Internet is proof that the cream will always rise to the top, and using the net, they have every chance of doing so.


    Almost all artists have band pages nowadays. In fact, it seems to be the first step on the way to internet recognition. A band page will commonly feature a news page, a separate page for downloading music for free, a photos page, and a contact page. These band pages are, in effect, business cards for musicians. The website receives promotion on various music websites and forums, and the band can create their own image through web branding.


    The majority of band pages are very simple. Some carry an internet radio feature on the home page, others allow you to simply download the music in mp3 format, others have lyrics and features on the group, but the intention is always the same: to get people to listen to the group’s music.


    However, the limitation to a band page is that unless the band promotes itself through other means, i.e. through forums, internet radio stations, flyers at concerts, etc., the website will receive very few visitors.


    Internet radio is becoming more and more popular. Sites like www.bluebeamradio.com function largely thanks to emerging artists who wish to promote their music, creating a partnership that brings a community of musicians together. By allowing groups to register for free and to post their mp3s, these radio stations are becoming an essential stop for new bands and independent musicians wishing to create a buzz about themselves.


    The idea is catching on. Many listeners want to listen to one particular genre, and are frustrated at mainstream radio offerings. By finding an internet radio station that fits their needs, they are introduced to new bands. New bands, in return, are being given an audience that has already decided which genre they want to listen to, and internet radio stations like Blue Beam Radio, for example, offer the top-rated bands prizes, such as a concert in New York. The potential to be heard is enormous; it simply requires time in front of the computer!


    So while internet radio stations offer streaming music, people will always want to download music for free online. While the music industry is clearly unhappy about free downloads of mp3s or other music formats, listeners will always find ways of sharing their music, it seems. Emerging artists are today taking advantage of that by scouring the internet for sites that offer free music downloads, and literally giving their music away.


    The disadvantage to this is that most people will not automatically download online music from a group that they do not know. Almost all sites that offer free music for download operate using a search engine, and users search directly for a group. However, word of mouth on the internet means that when a band is being talked about, people will actually search for that particular band. The best example of this, as mentioned at the top of this article, is the Arctic Monkeys.


    Hailing from Sheffield in the UK, the Arctic Monkeys’ success is due entirely to word of mouth on the internet. Their music is pure indie. Raw, punky, and blessed with no shortage of attitude, the buzz around the Arctic Monkeys started on blogs, and started to snowball. They were offering free mp3 downloads via their own website, which was a very basic portal including downloads, photos, future concerts and latest news. Once the buzz started growing into a shout, their music was available on internet radio stations, music download sites, blogs linked to blogs linked to blogs… very soon, they became the first band to reach number 1 in the UK through internet downloads!


    What started off as a music curiosity became a music event. The band were soon appearing on national television, and even on the news, as their album sold more copies on its first day of release than the first releases of Oasis or The Beatles.


    What happened in Sheffield can happen anywhere in the world. The internet has brought bands and listeners together at an international level – the rap artist at his home in Seattle can reach the rap fan at his home in Singapore, the independent musician in New York can reach the indie fan in York… but it is also interesting how communities are forming at a local level.


    The internet is providing emerging artists with opportunities to create a buzz around their latest concerts, generating an audience that would previously have taken a great deal of legwork to gather. Through mailing lists, online flyers, blog and forum entries, a music event can be publicised many ways. The more innovative a group becomes, the more chance it has of reaching its public.


    Local music forums have popped up all around the world. Indie bands will always look for a solid local fan base, and it is thanks to the internet forum that they have found this. Using their forum post signature to promote their website, these bands post flyers, concert information and more, and even share information about how to find concerts, where to buy equipment, and recording techniques. When looking for a local community of listeners, indie bands can easily find local communities of bands who are doing the same thing. While seemingly these bands rarely get the chance to meet each other unless they are playing a gig together, the internet gives them the opportunity to discuss and promote 24 hours a day.


    In truth, the internet is simply offering an extension to the old “local scene” that existed before it. Indie music has grown over the last few years largely because of the adaptability of independent musicians to the internet, and because of their community spirit. While prior to the internet, a local music scene would have been limited to a handful of bands, today it is much easier for a group to break onto the local music scene, as long as they have a strong website, a strong image, and of course, good music.


    And in the end, the essential truths of the music industry will always bear out. If you don’t have the music, you won’t make the grade. Listeners are canny people, and they will always filter out the good bands from the average bands, regardless of how good the website is, or how persistent the promotion is. However, as indie music flourishes, so do the best bands, and if they are on the right internet radio stations, if they can create the right buzz around themselves, and if they can reach their audience, emerging artists today have every chance not just of increasing their audiences, but of getting a contract with a record label.

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    My Revised (and realistic) Independent Music Release Strategy

    As independent musicians we need to adjust our music release strategy to reflect the way the public now interacts with music.  We need to account for the growing way that music is obtained, namely by downloading to a computer to play across a variety of devices, and find ways to fight through the ever growing barrage of real-time information that people are exposed to.  In short, the old way of doing things, writing 10-15 song, recording them and then having a release of an entire album once a year just doesn’t cut it anymore.  A year is just too long in today’s world.

    Last week I did an analysis of a music release strategy put forward by Forrester Research that generated some buzz a month or two ago. They were arguing for a tiered release structure and while I believe in the basis of the notion, I think that there needs to be an alternative to Forrester’s structure.  I’ve rearranged some of the key happenings into what I think is a more realistic approach:

    Picture 3Week 1

    So in week 1 I am advocating for what I’ll call the Premium Release.  This is the release of your song for digital download through channels that you control, i.e. your website and any other digital download site that allows you to simply upload and sell your music.  In the coming weeks I’ll discuss how to set up your own digital download channel through your website, but for now know that I am talking about making a song or songs publicly available for sale WITHOUT going through the more traditional gatekeepers of iTunes or Rhapsody.  Align this release with a show and promote it as a “Single Release Show”.  Build buzz with your most ardent fans, send out an email notice that a new song is available and tweet it, broadcast it and update all your social networks.  Maybe even make a video.  Seek online reviews, some sites will review a track at a time, try to time it right. Basically make it a mini CD-Release event.

    Week 2

    After you build your Premium Release event and have your show then start submitting to free or ad supported internet broadcasting music channels.  Update all social network profiles with the new track.

    Week 3-52

    Lastly, and really due to the nature of it all, is the creation of the physical CD for sale.  Note, throughout the ensuing year you should repeat this process roughly 10 times, the digital release of your music for sale that is. Once you have 10-15 tracks, pull it all together and throw a proper CD release.  Perhaps add a track or two to further entice the purchase of your music.  Of course once your music is put in this still industry standard format, you will have access to another tier of publicity and music distribution in CD reviews and physical CD sales as well as digital distributors that only deal with physical product.

    Conclusion

    Granted, these mini releases won’t pack the same wallop as a full blown CD release, but you can have the best of both worlds.  Stay better connected to your audience through a steady stream of output AND then pull it all together to create a traditional CD release event.  You will be rewarded by staying closer to your ardent fans and you will be creating more opportunities to talk about and draw attention to your music.  Good luck!

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